Monday, 3 December 2018

Ishimwe Dady


We're just taking a moment to give a shout-out to our friend Dady, who is a talented artist in Kigali. If you're looking for authentic Rwandan artwork, drop him a line. There may be some piano painting going on one day.



Friday, 30 November 2018

Nordiska


Sadly, Kigali Music School in Gisozi closed its doors recently due to lack of funding. That's the place with the 1924 Heintzman - the first piano we tuned. Not sure what that piano's up to now, but the former manager, Bonani (who you might remember from our stringing sessions), is striking out on his own and opening a new centre in Nyamirambo. 

They were gifted a piano, but it's got a couple of strings missing and was extremely out of tune. The people who gave him the piano didn't expect he'd be able to find someone to tune it - so we had to really, didn't we?

It's a lovely 1980-81 Swedish Nordiska. 

 
 
 



Marion had a very slight hangover throughout the three-hour tuning process. It can be quite hard physically and mentally to stay focused, but the results always make it completely worth the effort. To hear a piano come to life and sound whole is a magic trick. We're going to help out with ordering and replacing the lost strings and replacing the bridle straps, which have been snacked upon my mice. Otherwise, it's in really good condition and the tuning pins feel nice and tight.

Sorry Bonani, we know you haven't had a chance to practise on this at all yet, but we're going to share.


Sunday, 18 November 2018

The Old Lady of Gikondo


We had a really interesting call-out last week. An Italian family who have lived in Rwanda for three generations are moving from Kigali to the Eastern Province. They have a piano and wanted us to take a look at it and let them know if anything needs fixing before they go.

It was a really interesting case. The lady's grandfather owned it, but she wasn't sure where it originally came from.

Inside, there's a serial number, but there's no maker's mark anywhere on the piano or the frame. Unless you know who made the piano, the number doesn't mean much.

 



It could be that this is a compilation of more than one piano. Sometimes parts of reclaimed pianos were mix-and-matched, and sometimes marked pianos were refurbished and resold by third parties, such as we saw with Merrick's brandless piano. The outer casing looks typically 1930s/40s, but the keys are plastic rather than ivory, which suggests post-1939 when the cost of plastic and the scarcity of ivory due to the war saw a shift in key tops. Most likely late 1940s, but we may never know for sure.

It's very dusty inside and the hammers need sprucing, but generally it plays okay. Couple of slow hammer returns and two keys half eaten my mice, but - other than the tuning - not bad condition for an old lady.




 
 




There's also a large chunk missing from the top left of the soundboard, the bass section. You could see right through it, but weirdly it didn't seem to affect the sound much.

We provided a quote to restore the soundboard and a couple of other minor issues, and to give the hammers a file and iron. And for a tune. They've decided to complete the move and get back to us. The instrument can be transported back to Kigali if they decide to go ahead with it. We hope to see her again one day in the future. 

Wednesday, 14 November 2018

Schimmel


Tuned up a glossy black Schimmel a few weeks back. The serial number places it around 1985, so fairly modern in comparison to most of the pianos we see.


Unfortunately, we lost a bass string in the process - first time that's happened. Thanks to Hellerbass and their trusty tape measure, we were able to order a new one to fit. Post can take a while here, so we sent it to the owner's sister in France, who was coming out to visit. All neatly installed - can you spot the shiny odd one out?





Friday, 9 November 2018

Second Hand Shipment



After giving her TEDx talk in Luxembourg, Marion returned via The Hague to visit family. They have a lovely pier there, and at the end of the pier, a piano looking out at the sea.






Of course, her first instinct was to open it up and see what was inside. Looks like a pre-bombing Dresden-made piano.


 

Cute Little Handle Detail
Not in too shoddy condition. Certainly a lot better than the grand we saw in Bukavu.

There are so many abandoned and unwanted pianos. When Marion was in the UK earlier in the year, her father mentioned a piano sitting on the street waiting to be taken to the tip. Gumtree and Craigslist are full of unwanted instruments looking for new homes, and we regularly get people asking us whether shipping second-hand pianos to Rwanda would be a good idea.

It would be a lovely idea - a very lovely one - but unfortunately impractical.

Although the pianos are often free, getting them to the docks, hiring a shipping container, then getting them overland from the port in Kenya to landlocked Rwanda is certainly not cheap, not to mention the import duty we'd be looking at.

On top of that, the type of pianos being given away sometimes have serious issues, such as broken or rusted bass strings, slipping tuning pins or rotting hammers. At the moment, we need to import fairly costly parts to fix all of those issues, and again pay duty.

By the time you add everything up, it's more cost effective for us to continue trying to build pianos here, and looking for new solutions to some of the parts we need to import. And, although it would be wonderful to have a stock of old pianos from Europe to refurbish, there are plenty of those lying around Kigali - it's just a case of convincing people to invest in their restoration.


Thursday, 1 November 2018

TEDx Luxembourg


Hi everyone. We've been a bit quiet. Marion was off giving a TEDx talk at the University of Luxembourg. There's a glossy, edited version coming in a few weeks, but you can catch the original talk on the livestream, here. Pianos are mentioned!


Monday, 22 October 2018

Measure Twice, String Once



Again, we were hoping to be able to shout about finishing stringing the piano, but we hit another snag. Turns out the replica frame isn't an exact copy of the original. This led to having to remove the backrest in the last post, so the bass strings reached the bridge pins.

The same issue of variation means the bass strings we ordered aren't a perfect fit. For the most part it doesn't make a noticeable difference, but for the last few, it does. We're going to have to measure again and order some replacements.


Also have a misalignment in a few of the bridge pins. Dés might be able to straighten this out, and it's another part of this being a prototype. We're making a lot of notes on how to do things better next time. So, we're getting there, but it's taking a bit longer than we'd hoped. 

Saturday, 13 October 2018

Bringing it Forward


So, had a little hiccup when we started to string the bass section. The bridge pins on the lower-bass section were about 1 cm too far back for the wire. 

 

So, this morning Désiré and Paulin dropped by to fix the issue. Paulin works at Dés's carpentry business and is specifically helping Dés with all things piano-related. He was responsible for putting in many of the tuning pins.




That last one is Paulin reattaching the string frame after reducing the thickness off the wooden back rest. 




We think this came about because the string frame might not be an exact replica of the original Lirika. A slight difference in casting could be responsible for the issue. 

The guys worked really hard on this. It took around four hours to do it right, without disturbing any of the strings or tuning pins.

The bass section now fits the bridge pins properly and we can continue with the final stage of stringing.